Bolt (voice of Travolta) is a celebrity dog and the star of a hit TV show where his amazing feats and powers draw big ratings. But when a mail-room mix-up finds him roaming free on the streets of New York City, the wonder dog will have to learn to rely on his actual strengths -- as well as his new friends, an abandoned housecat and a starry-eyed hamster -- in order to find his way back home to his owner and co-star, Penny (voice of Cyrus).
In her new town of Forks, Washington, misfit teenager Bella Swan (Stewart) falls for her alluring and mysterious classmate, Edward Cullen (Pattinson). As it turns out, Edward belongs to a lineage of vampires, although he doesn't fit the typical vampire mold. As their passion reaches dizzying heights, can Edward resist his natural urges, and will he be able to defend Bella from his family members who have come for her?
Metermaid Les Franken (Rapaport) has an unexpected reaction to the anti-depressant he's taking as part of a clinical trial; suddenly convinced he's a superhero, he embraces his new powers, dons a homemade costume, and hits the streets to protect the citizens of his city. the corporation behind the pill, fearing bad publicity about their drug, set out to bring down our hero, who in turn hones his abilities to fight off his new arch-nemeses.
Outward Bound, Homeward Bound: The Dayton Theatre Guild Finds a New Home
The theater has always played a
large role within society. Sometimes it is a welcome relief and a respite from
the woes of day to day life. Other times, it serves as a reflection of the very
society which witnesses it. In our community, The Dayton Theatre Guild, which
is the area’s oldest community theater group, has had a long, convoluted and
quite interesting history. With the Guild beginning yet another leg of their journey
beginning with the purchase of the old Dayton Gym Club at 430 Wayne Avenue in downtown Dayton and the impending
move from their current location on Salem
Avenue, it was a perfect time to speak to Guild
President Carol Finley about where they have been and what the future holds.
“Originally, the Dayton Theatre
Guild goes back into the 1920’s. The people who were in the Theatre Guild in
the 1920’s reads like a who’s who of Dayton.
They were definitely society folk. During the Depression, they disbanded, but
they kept their 501(C)3 charitable status and they kept their charter active.”
Carol said during a recent phone interview. “Then in 1945, when a group of
people got together and started doing productions, the original founders
approached the new Theatre Guild and offered their charter. So in 1945, the
current incarnation of The Dayton Theatre Guild started at the Dayton Art
Institute with a production of Outward
Bound. They performed at the Dayton Art Institute, at what was then the
Victory Theatre and just about anywhere that was space. Then they moved into a
carriage house on Belmonte Park North and then, in 1964, they moved to the
present location which is on Salem
Avenue.”
As an aside she added, “Here’s a
little interesting fact for you; 2330
Salem Avenue, which is the location of Theatre
Guild, is also the last known address of Annie Oakley.
The Salem Avenue location, however, grew too
small for the burgeoning community group. Businesses floundered and closed on Salem Avenue and
many of the people who were once patrons of the Dayton Theatre Guild moved
away. Storage became an issue as well, with many of the props and such being
stored at people’s houses and in several other rented areas.
“We just couldn’t keep it all in
one space because we had 2,700 square feet at the Salem Avenue theater.” Carol stated, audibly
relieved. “We now own 20,000 square feet.”
Space became a major issue in other
ways as well. Sets could not be built and stored until needed and The Guild’s
ability to become a true representation of the Dayton area’s performance community was also
hampered by the size of the Salem Avenue
site. With the new building, those issues all but disappear.
“Where we are now, we have to build
our sets right on the stage because we don’t have a space separate from the
stage where we can build sets.” Carol detailed. “That means that our shows have
to be X number of weeks apart because you have to tear down one set before you
can start another one. In the new building, we will have the ability to build
in our scenic design shop and move it over to the stage area and also we’ll
have rehearsal space in a couple of different spots, so we could be rehearsing
a show, building a show and letting someone else use our stage at the same
time. This makes it so we can really do the community thing and bring in
chamber music or improv groups or whoever needs a space for performing and
still be able to do what we do.”
The search for a new location has
been a long and arduous journey for the Guild, with many false starts and
startling disappointments along the way. Carol recounts the search for a home
for the theater from the beginning.
When I joined the board of the
Dayton Theatre Guild 12 years ago, we had just put a bid in on a building on Second Street that
is now called Aquarius. We thought that we would be able to take the pillar out
and put the theater in there but then it turned out that it was going to cost
more than the price of the building to remove the pillar. So then we looked at
about 75 other buildings and we couldn’t find anything that had tall enough
ceilings without pillars with the amount of stage space that we needed. So,
after all of that time, we found a couple that would almost do what we wanted
it to do, but just not quite.” Carol said before going on to describe how the
Guild came to acquire a vacant lot. “Anyway, after all that time, we decided to
purchase a lot and that was about five years ago. So we bought the lot and got
the architectural plans done for what we would put on that lot and then the
cost of building has just skyrocketed. Originally, the entire project,
including the lot, would be about 1.3 million dollars. It’s a lot more than
that now, so we kept looking for buildings. Then one of the board members
suggested the Dayton Gym Club. They had been in it and thought that it would
meet all of our needs. Greg Smith and I went to look at it on July 3rd,
and we loved it and it was within our means. Then we had the entire board come
on July 4th and take a look, then we put a bid in on the building,
it was accepted and we closed just over a week ago.”
It’s somewhat paradoxical that a
search for a permanent home for the Dayton Theatre Guild that spanned years and
years of searching for the perfect building ends with the purchase of an iconic
structure in just over a month. With the mushrooming art scene growing out of
the Oregon District, the fit seems absolutely perfect. There are however, some
hurdles yet to be overcome. There are upgrades and other work that needs to be
completed before the Dayton Theatre Guild can completely realize its vision of
a permanent home.
“Well, we will need to raise about
$200,000 to bring this building up to code and get our theater where we want it
to be. If we can raise that money soon, we’ll have moved to our new building by
January. If we can’t raise the money quickly, it may be as late as next fall
that we make the move.”
Is there a website where people can go to get more
information about the Dayton Theatre Guild? “Sure, it’s daytontheatreguild.org
and there’ll be information there about our new building and fundraising and
anything else that anyone would want to know about us.” Carol Said before we
hung up. “It’s all there.”